| KIERA
BLAKEY |
about | images | ||
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Kiera
Blakey’s practice explores perception and recognition and seeks
to question how we look at things and how we know what we’re looking
at. Enquiries delve into the visual, haptic and tactile properties of
simple artefacts, images and structures and in particular the building
up and breaking down of meaning. Revised versions of everyday objects,
bold, minimal shapes, tactile, slick surfaces and experimentations in
modes of presentation – how an object sits on a plinth, on the
wall, on the floor, hope to re-reveal traits that have been overlooked.
The doubling of objects seeks to question the very purpose of the artwork
in discussion and in turn the number of times an artefact or artefect
of language can be used before it becomes either functional or meaningless.
In doing so Kiera attempts to reduce the information we receive from
accepted codes and linguistic structures to rekindle intuition and memory
so that we can question the way we receive and interpret the information
around us.
Forthcoming 01.04.2010 - 30.04.2010 Kaus Australis, Rotterdam, Holland. 01.05.2010 - 31.05.2010 Nes Artist, Skagastrond, Iceland. 05.05.2010 www.dreck.co.uk 01.09.2010 Edinburgh Sculpture Workshop Ltd. Selected
Solo Exhibitions
2010 Unfinished Business Waterside Project Space, London. 2010 Minimalism Massimo, The Gallery at Willesden Green, London. 2009 Rob Pruitt's Flea Market, Tate Modern in collaboration with Gavin Brown Enterprise New York, London. 2009 Open studios, Terrace, London. 2009 Time, Time, Time, Terrace, Dalston, London. 2009 The Way We Were, North by North Western Arts Festival, Wigan. 2009 Open Show, Surface Gallery, Nottingham. 2009
Knights Move, House of Fairy Tales, Tate Modern, London. 2008
Basement 01, Fallon, London.
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